The Locrian Mode is the seventh mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Locrian Mode: Everything You Need To Know About Locrian”
A Bedroom Producer's Blog
The Locrian Mode is the seventh mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Locrian Mode: Everything You Need To Know About Locrian”
The Aeolian Mode is the sixth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Aeolian Mode: Everything You Need To Know About Aeolian”
The Mixolydian Mode is the fifth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “The Mixolydian Mode: Everything You Need To Know!”
The Lydian Mode is the fourth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Lydian Mode: Everything You Need to Know About Lydian”
The Phrygian Mode is the third mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Phrygian Mode: Everything You Need to Know About Phrygian”
Lately, I have been thinking a lot about modes, modal composition, and modal arpeggios. Studying modes and modal composition has been fulfilling and inspiring in my musical journey. And I’d like to share a concept I’ve been using in my music. What I call modal arpeggios!
The modes of the Major Scale can be intimating to learn. There’s a certain cloud of confusion surrounding the modes. I know I had a difficult time grasping their function in music. It’s one thing to know what they are, and another to put them to use in writing. This article will look at 5 different ways to understand the concept of modes so that we can better use them in our music!
Continue reading “5 Effective Ways To Think About The Modes Of The Major Scale”