The Locrian Mode is the seventh mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Locrian Mode: Everything You Need To Know About Locrian”
A Bedroom Producer's Blog
The Locrian Mode is the seventh mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Locrian Mode: Everything You Need To Know About Locrian”
The Aeolian Mode is the sixth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Aeolian Mode: Everything You Need To Know About Aeolian”
The Mixolydian Mode is the fifth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “The Mixolydian Mode: Everything You Need To Know!”
The Lydian Mode is the fourth mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Lydian Mode: Everything You Need to Know About Lydian”
How to write and play with modal harmony? That’s a good question! Once we grasp the sounds of the modes, how do we actually use them in our compositions and improvisations?
Over certain chords in a functional, tonal chord progression? Sure, that works. “The Dorian mode goes over the ii chord and the Mixolydian mode goes over the V7 chord.”
But we can tap into a mode’s true sound by playing modally or playing within modal harmony. This article is an in-depth How To Guide to writing and playing with modal harmony!
The Phrygian Mode is the third mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
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The Dorian Mode is the second mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Dorian Mode: Everything You Need to Know About Dorian”
The Ionian Mode is the first mode of the Diatonic Major Scale. Let’s look and listen to it with a bit more detail.
Continue reading “Ionian Mode: Everything You Need to Know About Ionian”
Lately, I have been thinking a lot about modes, modal composition, and modal arpeggios. Studying modes and modal composition has been fulfilling and inspiring in my musical journey. And I’d like to share a concept I’ve been using in my music. What I call modal arpeggios!
Learning every musical scale is a daunting and tedious task. Learning the notes; what chords they form; and how they sound are all part of the process. Learning to play those notes in all octaves is another challenge for the producers among us who play instruments.
But what if there was a single scale you could learn that you could then build all the other scales around?
Well, it turns out there is, and chances are you already know of it!
The modes of the Major Scale can be intimating to learn. There’s a certain cloud of confusion surrounding the modes. I know I had a difficult time grasping their function in music. It’s one thing to know what they are, and another to put them to use in writing. This article will look at 5 different ways to understand the concept of modes so that we can better use them in our music!
Continue reading “5 Effective Ways To Think About The Modes Of The Major Scale”